Concepedia

Electroacoustic Improvisation

Electroacoustic Improvisation is a performative practice within electroacoustic sound design that involves the real-time, spontaneous generation and manipulation of electronic and acoustic sounds using technological mediation, distinguished by its reliance on interactive systems and non-notated, emergent musical structures.

24

Publications

1.1K

Citations

43

Authors

14

Institutions

Publications per year

2017–2026

3

Parents

Publications

24

Living electronic music

Choice Reviews Online · 2008 · 241 citations

, , +15

The Language of Electroacoustic Music

Ernest Lee Hammer, Simon Emmerson · Computer Music Journal · 1987 · 139 citations

, , +14

The listening imagination: Listening in the electroacoustic era

Denis Smalley · Contemporary Music Review · 1996 · 135 citations

, , +15

Music, Electronic Media and Culture

Nikša Gligo, Simon Emmerson · International Review of the Aesthetics and Sociology of Music · 2002 · 109 citations

, , +17

The Interaction of Sound Identities in Electroacoustic Music

John Young · DMU Open Research Archive (De Montfort University) · 2002 · 47 citations · Full text

, , +12

1–5 of 24

Authors

43

  1. SE
    Simon Emmerson

    City, University of London, United Kingdom

    3 publications · 271 citations

    3

    h-index

  2. SW
    Scott Wilson

    University of Greater Manchester, United Kingdom

    2 publications · 52 citations

    2

    h-index

  3. JB
    Jonas Braasch

    Rensselaer Polytechnic Institute, United States

    1 publications · 40 citations

    1

    h-index

  4. LP
    Laurent Pottier

    Université Jean Monnet, France

    1 publications · 15 citations

    1

    h-index

  5. RC
    Rosalyn Coull

    University of Birmingham, United Kingdom

    1 publications · 19 citations

    1

    h-index

1–5 of 43

Institutions

14

  1. Institut de Recherche et Coordination Acoustique Musique

    Paris, France

    2 h-index

    2 publications

    36 citations

  2. University of Birmingham

    Birmingham, United Kingdom

    2 h-index

    7 publications

    161 citations

  3. University of Sussex

    Brighton, United Kingdom

    1 h-index

    2 publications

    38 citations

  4. National University of Singapore

    Singapore, Singapore

    1 h-index

    5 publications

    55 citations

  5. Simon Fraser University

    Burnaby, Canada

    1 h-index

    1 publications

    14 citations

  6. Université Jean Monnet

    Saint-Etienne, France

    1 h-index

    1 publications

    15 citations

  7. Rensselaer Polytechnic Institute

    Troy, United States

    1 h-index

    3 publications

    120 citations

  8. Keele University

    Newcastle-under-Lyme, United Kingdom

    1 h-index

    1 publications

    15 citations

1–8 of 14

Venues

  1. Organised Sound

    8 publications · 152 citations

    7

    h-index

  2. Computer Music Journal

    5 publications · 199 citations

    5

    h-index

  3. Contemporary Music Review

    2 publications · 181 citations

    2

    h-index

  4. Journal of New Music Research

    2 publications · 63 citations

    2

    h-index

  5. Figshare

    Repository · 1 publications · 19 citations

    1

    h-index

1–5