Electroacoustic Composition
Electroacoustic Composition is a branch of musical composition within sound art that organizes and structures sounds generated, transformed, or mediated through electronic and electroacoustic technologies—such as recording, synthesis, processing, and loudspeaker projection—rather than relying solely on live acoustic instruments.
83
Publications
3K
Citations
118
Authors
51
Institutions
Publications per year
2017–2026
6
83
Choice Reviews Online · 2008 · 241 citations
3-D Sound Spatialization using Ambisonic Techniques
David G. Malham, Anthony Myatt · Computer Music Journal · 1995 · 200 citations
Humanities, Musicology, Acoustics +12
The Language of Electroacoustic Music
Ernest Lee Hammer, Simon Emmerson · Computer Music Journal · 1987 · 139 citations
Humanities, Linguistics, Musicology +14
Soundscape Composition as Global Music: Electroacoustic music as soundscape
Barry Truax · Organised Sound · 2008 · 102 citations
Humanities, Musicology, Acoustics +15
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51
Simon Fraser University
Burnaby, Canada
4 h-index
4 publications
180 citations

Keele University
Newcastle-under-Lyme, United Kingdom
3 h-index
3 publications
39 citations

Institut de Recherche et Coordination Acoustique Musique
Paris, France
3 h-index
4 publications
56 citations

Durham University
Durham, United Kingdom
3 h-index
3 publications
51 citations

The University of Sydney
Sydney, Australia
2 h-index
6 publications
138 citations

University of York
York, United Kingdom
2 h-index
2 publications
217 citations
Laboratoire Bordelais de Recherche en Informatique
Talence, France
2 h-index
2 publications
23 citations

University of Birmingham
Birmingham, United Kingdom
2 h-index
3 publications
152 citations
1–8 of 51
22 publications · 731 citations
15
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10 publications · 505 citations
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6 publications · 110 citations
6
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6 publications · 173 citations
6
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4 publications · 52 citations
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