Dynamic Range Perception

Dynamic Range Perception is a perceptual construct in music listening that refers to the cognitive and affective differentiation of variations in audio amplitude levels, enabling listeners to discern and interpret the contrast between the quietest and loudest sounds within a musical passage.

9

Publications

587

Citations

17

Authors

13

Institutions

Publications per year

2017–2026

0

Authors

17

  1. RW
    Roland W. Fleming

    Justus-Liebig-Universität Gießen, Germany

    2 publications · 324 citations

    2

    h-index

  2. ER
    Erik Reinhard

    University of Bristol, United Kingdom

    2 publications · 324 citations

    2

    h-index

  3. HB
    HH Bülthoff

    Max Planck Institute for Biological Cybernetics, Germany

    2 publications · 324 citations

    2

    h-index

  4. BE
    Bernhard E. Riecke

    Simon Fraser University, Canada

    2 publications · 324 citations

    2

    h-index

  5. AO
    Ahmet Oğuz Akyüz

    Middle East Technical University, Türkiye

    2 publications · 324 citations

    2

    h-index

1–5 of 17

Venues

  1. Journal of the Audio Engineering Society

    AES · 1 publications · 11 citations

    1

    h-index

  2. Hearing Research

    1 publications · 128 citations

    1

    h-index

  3. Journal of Vision

    1 publications · 32 citations

    1

    h-index

  4. Computer Graphics Forum

    1 publications · 24 citations

    1

    h-index

  5. ACM Transactions on Graphics

    TOG · 1 publications · 166 citations

    1

    h-index

1–5