Concepedia

Dynamic Markings

Dynamic Markings is a notational system in music notation that specifies the relative loudness or intensity of a musical passage, distinguishing it from other notational elements by conveying performance-based amplitude variations rather than pitch, duration, or articulation.

9

Publications

259

Citations

21

Authors

12

Institutions

Publications per year

2017–2026

2

Parents

Publications

9

Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers

Stephen McAdams, Chelsea Douglas, Naresh Vempala · Frontiers in Psychology · 2017 · 56 citations · Full text

, , +17

Effect of Conductor Verbalization, Dynamic Markings, Conductor Gesture, and Choir Dynamic Level on Singers' Dynamic Responses

Julie A. Skadsem · Journal of Research in Music Education · 1997 · 51 citations

, , +15

Musical Imagery and the Planning of Dynamics and Articulation During Performance

Laura Bishop, Freya Bailes, Roger T. Dean · Music Perception An Interdisciplinary Journal · 2012 · 34 citations

, , +16

A Comparison of Dynamics in Major- and Minor-key Works

B. T. Turner, David Huron · Empirical Musicology Review · 2008 · 27 citations · Full text

, , +13

Mapping between dynamic markings and performed loudness: a machine learning approach

Katerina Kosta, Rafael Ramírez, Oscar F. Bandtlow et al. · Journal of Mathematics and Music · 2016 · 23 citations · Full text

, , +17

1–5 of 9

Authors

21

  1. DH
    David Huron

    The Ohio State University, United States

    2 publications · 42 citations

    2

    h-index

  2. OF
    Oscar F. Bandtlow

    Queen Mary University of London, United Kingdom

    1 publications · 23 citations

    2

    h-index

  3. EC
    Elaine Chew

    University of Southern California, United States

    1 publications · 23 citations

    2

    h-index

  4. KK
    Katerina Kosta

    Queen Mary University of London, United Kingdom

    1 publications · 23 citations

    2

    h-index

  5. DA
    David A. Luce

    Oklahoma State University at Tulsa, United States

    1 publications · 20 citations

    1

    h-index

1–5 of 21

Institutions

12

  1. Queen Mary University of London

    London, United Kingdom

    2 h-index

    3 publications

    69 citations

  2. Austrian Research Institute for Artificial Intelligence

    Vienna, Austria

    1 h-index

    1 publications

    34 citations

  3. Universitat Pompeu Fabra

    Barcelona, Spain

    1 h-index

    1 publications

    23 citations

  4. Kitt Peak National Observatory

    Tucson, United States

    1 h-index

    2 publications

    42 citations

  5. University of Hull

    Hull, United Kingdom

    1 h-index

    1 publications

    34 citations

  6. Centre for Interdisciplinary Research in Music Media and Technology

    Montreal, Canada

    1 h-index

    2 publications

    112 citations

  7. University of Alabama

    Tuscaloosa, United States

    1 h-index

    1 publications

    51 citations

  8. The Ohio State University

    Columbus, United States

    1 h-index

    2 publications

    54 citations

1–8 of 12

Venues

  1. Empirical Musicology Review

    EMR · 2 publications · 42 citations

    2

    h-index

  2. Journal of the Atmospheric Sciences

    1 publications · 21 citations

    1

    h-index

  3. Journal of Research in Music Education

    1 publications · 51 citations

    1

    h-index

  4. Journal of Mathematics and Music

    1 publications · 23 citations

    1

    h-index

  5. Music Perception An Interdisciplinary Journal

    1 publications · 34 citations

    1

    h-index

1–5