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Cross-Cultural Dramatism
1964 - 1970
The period features a synthesis of dramatic linguistics, motive analysis, and symbolic action with historical and cross-cultural perspectives, highlighting how social relations are constructed on stage across diverse traditions. Researchers employ a combined toolkit of dramatistic framing, structural history, and cross-cultural performance studies to examine audience engagement and ritualized forms.
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Ritualized Performance Theory
1971 - 1997
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1998 - 2004
Participatory Drama Paradigm
2005 - 2011
Transmedia Public Sphere
2012 - 2015
Symbolic-Action Drama
2016 - 2022