Documentary Spectatorship

Documentary Spectatorship is a theoretical construct within documentary criticism that denotes the mediated relationship between the viewer and the documentary text, distinguished by the viewer’s interpretive engagement with the represented reality, institutional framing, and ethical implications of witnessing.

39

Publications

1.4K

Citations

47

Authors

32

Institutions

Publications per year

2017–2026

7

Authors

47

  1. KN
    Kate Nash

    Goldsmiths University of London, United Kingdom

    2 publications · 231 citations

    2

    h-index

  2. JL
    Jay Leyda

    Wayne State University, United States

    2 publications · 176 citations

    2

    h-index

  3. CM
    Costas M. Constantinou

    University of Cyprus, Cyprus

    1 publications · 32 citations

    1

    h-index

  4. AJ
    Alexandra Juhasz

    Pitzer College, United States

    1 publications · 32 citations

    1

    h-index

  5. JH
    Jennifer Henderson

    University of Colorado Boulder, United States

    1 publications · 13 citations

    1

    h-index

1–5 of 47

Venues

  1. Studies in Documentary Film

    SDF · 6 publications · 270 citations

    6

    h-index

  2. Screen

    4 publications · 91 citations

    4

    h-index

  3. Critical Inquiry

    2 publications · 153 citations

    2

    h-index

  4. Crime Media Culture An International Journal

    2 publications · 56 citations

    2

    h-index

  5. Choice Reviews Online

    CRO · 2 publications · 220 citations

    2

    h-index

1–5