Composer Reception
Composer Reception is a scholarly construct within the field of Historical Reception that examines the evolving critical, cultural, and institutional responses to a composer’s life, works, and legacy over time, distinguished by its focus on the attribution, interpretation, and evaluation of authorship in musical historiography.
316
Publications
11.3K
Citations
323
Authors
51
Institutions
Publications per year
2017–2026
4
Parents
316
Brahms: Biographical, Documentary, and Analytical Studies
Claudio Spies, Robert Pascall · Notes · 1984 · 136 citations
Humanities, Literature, Musicology +17
Contemporary Composers on Contemporary Music
Peter S. Hansen, Elliott Schwartz, Barney Childs · Notes · 1968 · 134 citations
1–5 of 316
323
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3
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3
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3
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1–5 of 323
51
University of Oxford
Oxford, United Kingdom
2 h-index
2 publications
65 citations

University of Auckland
Auckland, New Zealand
2 h-index
2 publications
50 citations

Adam Mickiewicz University in Poznań
Poznan, Poland
1 h-index
1 publications
14 citations
Leviton (United States)
Melville, United States
1 h-index
1 publications
10 citations
College Track
Sacramento, United States
1 h-index
1 publications
16 citations

De Montfort University
Leicester, United Kingdom
1 h-index
1 publications
32 citations

University of Surrey
Guildford, United Kingdom
1 h-index
1 publications
33 citations
Higher Education Academy
York, United Kingdom
1 h-index
1 publications
22 citations
1–8 of 51
CRO · 82 publications · 3.2K citations
36
h-index
44 publications · 2.1K citations
24
h-index
14 publications · 351 citations
12
h-index
12 publications · 419 citations
12
h-index
10 publications · 335 citations
10
h-index
1–5