Composer Identity
Composer Identity is a theoretical construct within the domain of musical identity formation that denotes the emergent and dynamic self-conception of an individual as a creator of music, distinguished by its focus on the internalized beliefs, creative agency, and socio-professional recognition associated with authoring original musical works.
74
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2.5K
Citations
96
Authors
34
Institutions
Publications per year
2017–2026
8
Parents
74
Classical music as enforced Utopia
Daniel Leech‐Wilkinson · Arts and Humanities in Higher Education · 2016 · 138 citations · Full text
National Music and Other Essays
Donald L. Leavitt, Ralph Vaughan Williams · Notes · 1964 · 129 citations
Richard Strauss: new perspectives on the composer and his work
Choice Reviews Online · 1993 · 103 citations
Perspectives on American Composers
Edith Borroff · Journal of Research in Music Education · 1973 · 84 citations
1–5 of 74
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2 publications · 101 citations
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1 publications · 18 citations
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34

University of Edinburgh
Edinburgh, United Kingdom
2 h-index
2 publications
62 citations

University of the Arts Helsinki
Helsinki, Finland
1 h-index
1 publications
15 citations

Webb Institute
Glen Cove, United States
1 h-index
1 publications
57 citations
University of Lincoln
Lincoln, United Kingdom
1 h-index
1 publications
25 citations

Western Sydney University
Richmond, Australia
1 h-index
1 publications
12 citations
University of Graz
Graz, Austria
1 h-index
2 publications
100 citations

Université Laval
Québec, Canada
1 h-index
1 publications
33 citations

University of Padua
Padua, Italy
1 h-index
1 publications
50 citations
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CRO · 18 publications · 668 citations
15
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10 publications · 343 citations
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2 publications · 63 citations
2
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2 publications · 65 citations
2
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2 publications · 83 citations
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