Aural Blackness

Aural Blackness is a theoretical construct that identifies and analyzes the distinct sonic practices, expressions, and epistemologies through which Blackness is produced, perceived, and performed in film, distinguishing itself from broader sound studies by centering Black cultural, historical, and embodied auditory experiences as a primary site of meaning-making.

7

Publications

475

Citations

7

Authors

3

Institutions

Publications per year

2017–2026

2

Authors

7

  1. MJ
    Mecca Jamilah Sullivan

    Bryn Mawr College, United States

    1 publications · 12 citations

    1

    h-index

  2. RC
    Rose Campion

    University of Oxford, United Kingdom

    1 publications · 13 citations

    1

    h-index

  3. KA
    Krista A. Thompson

    University of Colorado Denver, United States

    1 publications · 10 citations

    1

    h-index

  4. JL
    Jaime Lara

    1 publications · 14 citations

    1

    h-index

  5. GA
    Giuseppina A. Iacono

    1 publications · 360 citations

    1

    h-index

1–5 of 7

Institutions

3

  1. University of Oxford

    Oxford, United Kingdom

    1 h-index

    1 publications

    13 citations

  2. Bryn Mawr College

    Bryn Mawr, United States

    1 h-index

    1 publications

    12 citations

  3. Migration Policy Institute

    Washington D.C., United States

    1 h-index

    1 publications

    13 citations

1–3 of 3

Venues

  1. Ethnic and Racial Studies

    1 publications · 13 citations

    1

    h-index

  2. Small Axe A Caribbean Journal of Criticism

    1 publications · 10 citations

    1

    h-index

  3. Representations

    1 publications · 13 citations

    1

    h-index

  4. Renaissance and Reformation

    1 publications · 360 citations

    1

    h-index

  5. Choice Reviews Online

    CRO · 1 publications · 53 citations

    1

    h-index

1–5