Auditory Realism

Auditory Realism is an academic construct within the field of Foley Art that denotes the fidelity of artificially produced sound effects to real-world auditory phenomena, distinguished by its emphasis on perceptual accuracy and contextual authenticity in narrative media.

15

Publications

426

Citations

34

Authors

20

Institutions

Publications per year

2017–2026

5

Parents

Authors

34

  1. DS
    Douglas S. Brungart

    Walter Reed National Military Medical Center, United States

    2 publications · 60 citations

    2

    h-index

  2. JR
    Jean‐Claude Risset

    Laboratoire de Mécanique et d’Acoustique, France

    2 publications · 40 citations

    2

    h-index

  3. BL
    Benjamin Liang

    New York University, United States

    1 publications · 34 citations

    1

    h-index

  4. KC
    Karen Collins

    University of Waterloo, Canada

    1 publications · 11 citations

    1

    h-index

  5. DL
    Dahua Lin

    Chinese University of Hong Kong, Hong Kong SAR China

    1 publications · 34 citations

    1

    h-index

1–5 of 34

Venues

  1. Contemporary Music Review

    3 publications · 68 citations

    3

    h-index

  2. PRESENCE Virtual and Augmented Reality

    1 publications · 41 citations

    1

    h-index

  3. The Journal of the Acoustical Society of America

    JASA · 1 publications · 13 citations

    1

    h-index

  4. Parallax

    1 publications · 42 citations

    1

    h-index

  5. ACM Transactions on Graphics

    TOG · 1 publications · 34 citations

    1

    h-index

1–5