Affect In Opera

Affect in Opera is a dramaturgical construct that identifies and systematizes the emotional expressivity and psychological intensity generated through music, gesture, text, and staging in operatic performance, distinguishing it from broader theatrical affect by its reliance on the symbiosis between vocal embodiment and musical syntax to produce specific emotional states in performers and spectators.

37

Publications

1.4K

Citations

46

Authors

14

Institutions

Publications per year

2017–2026

4

Authors

46

  1. KR
    Klaus R. Scherer

    University of Geneva, Switzerland

    2 publications · 66 citations

    2

    h-index

  2. RE
    R. E. Seletsky

    2 publications · 43 citations

    2

    h-index

  3. SC
    Stefano Castelvecchi

    2 publications · 86 citations

    2

    h-index

  4. DL
    Daniel Larlham

    Data Archiving and Networked Services (DANS), Netherlands

    1 publications · 21 citations

    1

    h-index

  5. HS
    Hervine Siegwart

    University of Geneva, Switzerland

    1 publications · 47 citations

    1

    h-index

1–5 of 46

Venues

  1. The Opera Quarterly

    6 publications · 116 citations

    6

    h-index

  2. Choice Reviews Online

    CRO · 6 publications · 348 citations

    6

    h-index

  3. Journal of the American Musicological Society

    2 publications · 47 citations

    2

    h-index

  4. Notes

    2 publications · 66 citations

    2

    h-index

  5. Studies in Musical Theatre

    2 publications · 25 citations

    2

    h-index

1–5