Absorption In Art

Absorption in Art is a phenomenological construct in aesthetic theory denoting the viewer’s immersive engagement with an artwork, characterized by a temporal loss of self-awareness and a deep, pre-reflective involvement that distinguishes it from mere attention or cognitive appraisal.

7

Publications

964

Citations

17

Authors

6

Institutions

Publications per year

2017–2026

2

Authors

17

  1. MF
    Michael Fried

    Ben-Gurion University of the Negev, Israel

    3 publications · 753 citations

    3

    h-index

  2. JS
    Jitae Shin

    Sungkyunkwan University, South Korea

    1 publications · 16 citations

    1

    h-index

  3. JC
    Jun‐Dong Cho

    Sungkyunkwan University, South Korea

    1 publications · 16 citations

    1

    h-index

  4. ND
    Nick Donnelly

    University of Southampton, United Kingdom

    1 publications · 14 citations

    1

    h-index

  5. BH
    Beth Harland

    Lancaster University, United Kingdom

    1 publications · 14 citations

    1

    h-index

1–5 of 17

Venues

  1. Obesity Surgery

    1 publications · 10 citations

    1

    h-index

  2. Electronics

    1 publications · 16 citations

    1

    h-index

  3. Journal of Aesthetics and Art Criticism

    1 publications · 200 citations

    1

    h-index

  4. History and Theory

    1 publications · 92 citations

    1

    h-index

  5. Choice Reviews Online

    CRO · 1 publications · 171 citations

    1

    h-index

1–5