Absolute Music
Absolute Music is an aesthetic category in music aesthetics denoting purely instrumental, formally self-sufficient music conceived as autonomous and self-referential, lacking intentional reference to extramusical narratives, texts, images, or functions.
23
Publications
1.7K
Citations
26
Authors
12
Institutions
Publications per year
2017–2026
2
23
Absolute music: the history of an idea
Choice Reviews Online · 2014 · 215 citations
Humanities, History, Musicology +10
Musical pitch identification by absolute pitch possessors
Ken-ichi Miyazaki · Perception & Psychophysics · 1988 · 199 citations · Full text
Humanities, Linguistics, Musicology +11
Various Types of Absolute Pitch
A. Bachem · The Journal of the Acoustical Society of America · 1937 · 172 citations
Humanities, Physics, Acoustics +11
Experimental Investigation of Absolute Pitch
Desmond Sergeant · Journal of Research in Music Education · 1969 · 142 citations
1–5 of 23
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University of North Carolina at Chapel Hill, United States
2 publications · 135 citations
2
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1
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1–5 of 26
12
University of Illinois Chicago
Chicago, United States
2 h-index
2 publications
306 citations

Illinois College
Jacksonville, United States
2 h-index
2 publications
306 citations

Niigata University
Niigata, Japan
1 h-index
1 publications
199 citations
University of Illinois Urbana-Champaign
Urbana, United States
1 h-index
1 publications
172 citations
University of Oklahoma
Norman, United States
1 h-index
1 publications
105 citations
University of Central Oklahoma
Edmond, United States
1 h-index
1 publications
105 citations
Columbia University
New York, United States
1 h-index
1 publications
29 citations
John Brown University
Siloam Springs, United States
1 h-index
1 publications
24 citations
1–8 of 12
CRO · 3 publications · 337 citations
3
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JASA · 2 publications · 306 citations
2
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2 publications · 265 citations
2
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2 publications · 135 citations
2
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1 publications · 199 citations
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