Absolute Music

Absolute Music is an aesthetic category in music aesthetics denoting purely instrumental, formally self-sufficient music conceived as autonomous and self-referential, lacking intentional reference to extramusical narratives, texts, images, or functions.

23

Publications

1.7K

Citations

26

Authors

12

Institutions

Publications per year

2017–2026

2

Authors

26

  1. AB
    A. Bachem

    University of Illinois Chicago, United States

    2 publications · 306 citations

    2

    h-index

  2. AN
    Anthony Newcomb

    University of California, Berkeley, United States

    2 publications · 265 citations

    2

    h-index

  3. KM
    Ken-ichi Miyazaki

    Niigata University, Japan

    2 publications · 213 citations

    2

    h-index

  4. ME
    Mark Evan Bonds

    University of North Carolina at Chapel Hill, United States

    2 publications · 135 citations

    2

    h-index

  5. DS
    Desmond Sergeant

    University College London, United Kingdom

    1 publications · 142 citations

    1

    h-index

1–5 of 26

Venues

  1. Choice Reviews Online

    CRO · 3 publications · 337 citations

    3

    h-index

  2. The Journal of the Acoustical Society of America

    JASA · 2 publications · 306 citations

    2

    h-index

  3. 19th-Century Music

    2 publications · 265 citations

    2

    h-index

  4. Journal of the American Musicological Society

    2 publications · 135 citations

    2

    h-index

  5. Perception & Psychophysics

    1 publications · 199 citations

    1

    h-index

1–5