Arie Wallert

Historical Painting Techniques, Materials, and Studio Practice

Sarah Staniforth, Arie Wallert, Erma Hermens et al. · Studies in Conservation · 1999 · 92 citations

Art History, Studio Art, Historical Painting Techniques +6

Relics in medieval altarpieces? Combining X-ray tomographic, laminographic and phase-contrast imaging to visualize thin organic objects in paintings

Kris Krüg, Liisa Porra, Paola Coan et al. · Journal of Synchrotron Radiation · 2007 · 47 citations · Full text

Computed Tomography, Engineering, Advanced Imaging +22

High energy X-ray powder diffraction for the imaging of (hidden) paintings

Wout De Nolf, Joris Dik, Geert Van der Snickt et al. · Journal of Analytical Atomic Spectrometry · 2011 · 42 citations

X-ray Spectroscopy, Engineering, Microscopy +16

Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints

Alessa A. Gambardella, Marine Cotte, Wout De Nolf et al. · Science Advances · 2020 · 34 citations · Full text

Chemical Engineering, Photochemistry, Ultramarine Pigment +9

Dyes from the Tumilaca and Chiribaya Cultures, South Coast of Peru

Arie Wallert, Ran Boytner · Journal of Archaeological Science · 1996 · 33 citations

South Coast, Spanish, Chiribaya Cultures +1