Catherine Schmidt Patterson

Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)

Beatriz Fonseca, Catherine Schmidt Patterson, Monica Ganio et al. · Heritage Science · 2019 · 79 citations · Full text

An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence

Tania Kleynhans, Catherine Schmidt Patterson, Kathryn A. Dooley et al. · Heritage Science · 2020 · 67 citations · Full text

SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions

Jennifer L. Mass, Julia Sedlmair, Catherine Schmidt Patterson et al. · The Analyst · 2013 · 63 citations · Full text

Engineering, Inorganic Photochemistry, Cadmium Oxalate +17

The examination of works of art using <i>in situ</i> XRF line and area scans

Karen Trentelman, Michel Bouchard, Monica Ganio et al. · X-Ray Spectrometry · 2010 · 51 citations · Full text

Engineering, Situ X‐ray Fluorescence, Visual Art Practice +24

Degradation of Cadmium Yellow Paint: New Evidence from Photoluminescence Studies of Trap States in Picasso’s <i>Femme</i> (<i>Époque des “Demoiselles d’Avignon”)</i>

Daniela Comelli, Douglas MacLennan, Marta Ghirardello et al. · Analytical Chemistry · 2019 · 46 citations

Optical Materials, Engineering, Chemistry +18