Suzanne Quillen Lomax

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

Kathryn A. Dooley, Suzanne Quillen Lomax, Jason G. Zeibel et al. · The Analyst · 2013 · 136 citations

Natural Sciences, Chemistry, Analytical Chemistry +16

Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts

Paola Ricciardi, John K. Delaney, Michelle Facini et al. · Angewandte Chemie International Edition · 2012 · 108 citations

Natural Sciences, Art History, Manuscript Studies +16

Phthalocyanine and quinacridone pigments: their history, properties and use

Suzanne Quillen Lomax · Studies in Conservation · 2005 · 67 citations

Natural Sciences, Chemistry, Materials Science +16

An investigation of the photochemical stability of urea-aldehyde resin retouching paints: removability tests and colour spectroscopy

E. René de la Rie, Suzanne Quillen Lomax, Michael R. Palmer et al. · Studies in Conservation · 2000 · 23 citations

Natural Sciences, Chemistry, Materials Science +17

The use of Raman microscopy and laser desorption ionization mass spectrometry in the examination of synthetic organic pigments in modern works of art

Suzanne Quillen Lomax, Joseph F. Lomax, Amadeo De Luca‐Westrate · Journal of Raman Spectroscopy · 2014 · 22 citations

Natural Sciences, Chemistry, Fine Arts +17