Implications of aldose reductase in cataracts in human diabetes.

Abstract

From the “Hypnotic Shows” organized by Raimundas Malašauskas to Matt Mullican’s performances, from Joris Lacoste’s Vrai spectacle (True Spectacle) to the acoustic odysseys of Loris Gréaud, hypnotic induction is now being unabashedly used in a wide variety of works with diverse ambitions (performance, creativity and the unconscious, authority and subjugation, hallucination and delegation, role-playing games and simulation, etc.). Far from unprecedented, this hypnotic paradigm of art is actually heir to a long tradition that accompanies the entire history of modernity, a history not just of forms but of manipulations of the mind and systems of influence (empathy, attraction, stupefaction, etc.) ...