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The New Red Negro: The Literary Left and African-American Poetry, 1930-1946
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2001
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Critical Race TheoryLiterary TheoryHysterical TiesSterling BrownBlack ExperienceAfrican American HistoryNew Red NegroLiterary LeftSocial SciencesAmerican LiteratureBlack Feminist ThoughtLiterary CriticismAfrican American StudiesAfrican American LiteratureWorld War IiLanguage StudiesLiterary StudyAfrican American MemoryAnti-racismLiterary HistoryBlack PoliticsAfrican American SlaveryBlack FeminismAfrocentricityAfrican-american Poetry
Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the Folk in 1930s African-American Poetry 5: Hughes's Shakespeare in Harlem and the Rise of a Popular Neomodernism 6: Hysterical Ties: Gwendolyn Brooks and the Rise of a High Neomodernism 7: The Popular Front, World War II, and the Rise of Neomodernism in African-American Poetry of the 1940s Conclusion: Sullen Bakeries of Total Recall Notes Works Consulted Index