Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama

Introduction 1. Seeing double: collaboration and the interpretation of Renaissance drama 2. Between gentlemen: homoeroticism, collaboration, and the discourse of friendship 3. Representing authority: patriarchalism, absolutism, and the author on stage 4. Reproducing works: dramatic quartos and folios in the seventeenth century 5. Mistris Corrivall: Margaret Cavendish's dramatic production Notes Bibliography Index.