Making beats: the art of sample-based hip-hop

TLDR

The concept is ubiquitous in contemporary intellectual discourse, with scholars using it to signal a romantic return to the common people, and Berger and Del Negro pioneering its theoretical scrutiny. The book investigates how everyday life has been employed across American folklore, British cultural studies, and French everyday life theory, proposing a program to revitalize anti‑elitist cultural approaches. Drawing on global performance studies—including heavy‑metal in the U.S. and the Italian passeggiata—the authors examine identity by moving beyond truisms and exploring the interplay of culture and agency to illuminate reflexivity, identity, and self.

Abstract

The notion of is ubiquitous in the contemporary intellectual scene. While scholars frequently use this concept to signal a romantic return to the common people, Berger and Del Negro are among the first to subject the term to theoretical scrutiny. This book explores how everyday life has been used in three intellectual traditions (American folklore, British cultural studies and French everyday life theory) and suggests a program for revitalizing anti-elitist approaches to culture. The book draws on studies of performance from around the globe, including the authors' work on heavy metal in the U.S. and the Italian passeggiata (ritual promenade), to explore the term identity. Moving beyond truisms that depict performance as a medium for the loss of self or folklore as means of expressing identity, the authors explore the interplay of culture and agency in performance to illuminate the complex dynamics of reflexivity, identity and self. This book will speak to anyone interested in power and aesthetics in performance.