Choice Reviews Online · 2013 · 233 citations · 0 references
HumanitiesClassicsFolklore StudiesLiterary CriticismLiterary StudiesLiterary TheoryEpic PoeticsEpic PoetryHomeric EpicPoeticsCollective Decision-making RulesCollective MakingCollective Meaning-makingHomeric DiscourseHomeric PoeticsHomeric PoetryOlympian GodsTrojan War
The Iliad’s scenes reflect a long‑standing negotiation over rival versions of the epic. The study interprets the Iliad’s political scenes as expressions of poetic forces, arguing that consensus is central and analyzing how the Achaeans, Trojans, and Olympian gods engage in collective decision making. Elmer employs literary, political, philological, anthropological, and folklore methods to analyze scenes of collective decision making. The work shows that consensus and collective decision making shape the authoritative Iliad and its evolving performance and reception.
The Poetics of Consent breaks new ground in Homeric studies by interpreting the Iliad's depictions of political action in terms of the poetic forces that shaped the Iliad itself. Arguing that consensus is a central theme of the epic, David Elmer analyzes in detail scenes in which the poem's three political communities - Achaeans, Trojans, and Olympian gods-engage in the process of collective decision making. These scenes reflect an awareness of the negotiation involved in reconciling rival versions of the Iliad over centuries. They also point beyond the Iliad's world of gods and heroes to the here-and-now of the poem's performance and reception, in which the consensus over the shape and meaning of the Iliadic tradition is continuously evolving. Elmer synthesizes ideas and methods from literary and political theory, classical philology, anthropology, and folklore studies to construct an alternative to conventional understandings of the Iliad's politics. The Poetics of Consent reveals the ways in which consensus and collective decision making determined the authoritative account of the Trojan War that we know as the Iliad.