All made of tunes: Charles Ives and the uses of musical borrowing

Abstract

Ive's uses of existing music emulating models and learning musical styles the art of paraphrase modeling and paraphrase in the First and Second Symphonies cumulative settings the development and significance of cumulative settings modelling and stylistic allusion to evoke a style orgenre patchwork and extended paraphrase programmatic quotation quodlibet and collage the significance of Ive's uses of existing music.