Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT) · 2020 · 10 citations · 0 references
ArtsMusicologyPerforming ArtsComputational ArtGenerative ArtInstallation ArtAlgorithmic ArtAlgorithmic CompositionArtificial Intelligence ArtData-driven ArtGenerative PerformanceVisual ArtsArtist-ai CollaborationData-driven Generative ArtGenerative Art InstallationsGenerative Art PerformanceLive CodingLive Coding AestheticsLive Coding SystemsLive Musical Performance
The evolution of philosophical views on art is interwoven with trajectories of accelerating technological amelioration. In the emergence of generative algorithms there is a need for making sense of modern technologies that step in a realm previously reserved for humans – creativity. This paper aims to understand the role of the human in generative art by demystifying implications of black-box generative algorithms and their applications for artistic purposes. First, we shortly canvas the current state of practice and research in generative art, especially music. Then, we introduce Anastatica, a part performance, part installation built using data-driven generative live coding. Finally, we discuss implications of AI in art through a case study of Anastatica’s development and performance. We trace the path from algorithms to intelligence, applying musical and computer science theory to a practical case of generating a live coding musical performance, while focusing on aesthetic, compositional, conceptual, and phenomenological implications.