Kinema A Journal for Film and Audiovisual Media · 1995 · 10 citations · 3 references
HumanitiesCultural StudiesFilm StudiesAfrican StudiesFilm HistoryFilm TheoryAfrican Film StudiesProduction ContextCultural Identity CrisisFilm IndustrySocial Affiliations
THE SOUTH AFRICAN FILM INDUSTRY: FRAGMENTATION, IDENTITY CRISIS AND UNIFICATION IntroductionFilm and video are regarded as vital in South Africa's transition. Amongst others, film and video can foster a stable, democratic and united society. However, the South African film industry cannot fulfil this role at present due to fragmentation and consequently an identity crisis. The industry therefore needs to change. One of the key players in previous debates about the restructuring of the local industry, the Film and Allied Workers' (FAWO) Distribution Committee chairman, Seipati Bulane-Hopa, describes the need for cinema in our society in these words: Cinema ... serves as a vehicle for people to articulate their different social affiliations and define their respective historic cultures, traditions, social and political experiences. If cinema is only used to entertain and not to educate, then the chances of transforming our society are slim (Blignaut & Botha, 1992, p.88)....
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The cinema of apartheid: race and class in South African film
Choice Reviews Online · 1989 · 91 citations
Humanities, Film Studies, History +10