Language in Society · 2019 · 21 citations · 28 references
HumanitiesFilm StudiesSexuality StudiesFilm CriticismQueer StudiesQueer TheoryMasculinity In FilmQueer CinemaQueer Film CriticismQueer Film TheoryQueer MasculinitiesRacialized SexualityEthnicity In Queer FilmHeteronormativity In FilmMasculinity In Queer CinemaParalinguistic CuesRace In Queer FilmSexuality PerformativityStereotypes In Queer FilmWhite Masculinity
Abstract This article investigates how naturalized models of hegemonic masculinity affect race and sexuality in the James Bond film series. Through close analysis of film dialogue and paralinguistic cues, the article examines how the sexualities of East Asian female and male characters are constructed as oversexed and undersexed, respectively. The analysis therefore affirms Connell's (1995) conception of white heterosexual masculinity as exemplary: East Asian characters are positioned not only as racial Others, but as bodies upon which Bond's heterosexual masculinity is reflected and affirmed as normative and, by extension, ideal. In this way, race is curiously invoked to ‘explain’ sexuality, and Bond's unmarked white masculinity becomes the normative referent for expressions of heterosexual desire. By showing how the sexuality of East Asian characters is typecast as non-normative, the article gestures toward the possibility of theorizing racialized performances of heterosexuality as queer. (East Asia, James Bond, sexuality, race, masculinity, femininity, normativity, film)*
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Raewyn Connell, James W. Messerschmidt · Gender & Society · 2005 · 8.9K citations · Full text
Compulsory Heterosexuality and Lesbian Existence
Adrienne Rich · Signs · 1980 · 3.1K citations
Compulsory Heterosexuality and Lesbian Existence (1980)
Adrienne Rich · Journal of women's history · 2003 · 2.4K citations