Cinema<i>Itself</i>: Cinephobia, Filmic Anxieties, and Ontologies of the Moving Image in Pakistan

Abstract

Anxieties over the particular ontology and materiality of the film image—rather than moral concerns over the co-mingling of bodies in the built and social space of the cinema—have been addressed by two formative figures in the philosophy of Pakistan as a political and religious idea: Muhammad Iqbal and Syed Abul A'la Maududi. Their arguments provide two divergent examples of the ways in which the permissibility of film in Pakistan has been expressed. This essay is driven by such instances in which the epistemology—and in some cases permissibility—of technological objects is negotiated via their very ontology.