Beyond the Screen, Beyond the Story: The Rhetorical Battery of Post-Classical Films

Abstract

This paper attempts to make a classification of some of the narrative and\n\t\t\t\t stylistic resources of the post-classical cinema in the age of the global\n\t\t\t\t screen through a minimal description of a battery of rhetorical resources\n\t\t\t\t present in some of the most relevant post classical films from the 90s.\n\t\t\t\t Specially, we focus on two main axis: the multi-screen cohabitation in the\n\t\t\t\t mise-en-scène and the increasing radicalization of complex narration.