British Journal of Psychology · 2017 · 35 citations · 33 references
HumanitiesVision ScienceAestheticsVisual PerceptionVisual PsychophysicsAesthetic EvaluationAesthetic ExperienceAesthetic JudgmentAesthetic PerceptionFirst ImpressionsImpression FormationAesthetic AppraisalArtistic BeautyBeauty ExperiencePerson First ImpressionsPerson Impression Formation
Under normal circumstances, perception runs very fast and seemingly automatic. In just a few ms, we go from sensory features to perceiving objects. This fast time course does not only apply to general perceptual aspects but also to what we call higher-level judgements. Inspired by the study on 'very first impressions' by Bar, Neta, and Linz (2006, Emotion, 6, 269) the current research examined the speed and time course of three aspects of the aesthetic experience, namely beauty, specialness, and impressiveness. Participants were presented with 54 reproductions of paintings that covered a wide variety of artistic styles and contents. Presentation times were 10, 50, 100 and 500 ms in Experiment 1 and 20, 30 and 40 ms in Experiment 2. Our results not only show that consistent aesthetic judgements can be formed based on very brief glances of information, but that this speed of aesthetic impression formation also differs between different aesthetic judgements. Apparently, impressiveness judgements require longer exposure times than impressions of beauty or specialness. The results provide important evidence for our understanding of the time course of aesthetic experiences.
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William Blizek, D. E. Berlyne · Journal of Aesthetics and Art Criticism · 1973 · 1.9K citations
A model of aesthetic appreciation and aesthetic judgments
Helmut Leder, Benno Belke, Andries Oeberst et al. · British Journal of Psychology · 2004 · 1.9K citations
Humanities, Fine Arts, Aesthetics +13
Moshe Bar, Maital Neta, Heather Linz · Emotion · 2006 · 692 citations