Queen Margaret University Publications Repository (Queen Margaret University) · 2006 · 18 citations · 5 references
HumanitiesFilm StudiesActingFilm TheoryPerformance TheoryFilm ActingPhenomenology Of FilmPsychoanalytic Film TheoryScreen PerformanceScreen-based PerformanceAudience Interpretation Of PerformanceConceptualization Of PerformanceFilm OntologyPerformer IntentionalityPerformer InteractionScreen Ontology
The article presents the author's views on ways in which the viewers think and analyze screen performance. According to the author, conceptualizing the performance involves not only reading actors' performances, but also a wider consideration of philosophy of the film. To scrutinize the peculiarity of performance, the author has put some fundamental questions concerning ontology and epistemology.
5
The Presentation of Self in Everyday Life.
Kaspar D. Naegele, Erving Goffman · American Sociological Review · 1956 · 26.2K citations
Falling for you : essays on cinema and performance
Lesley Stern, George Kouvaros · UNSWorks (UNSW Sydney) · 1999 · 81 citations
Michael Earley, Toby Cole, Helen Krich Chinoy · Performing Arts Journal · 1980 · 67 citations