Internet memes as internet signs: A semiotic view of digital culture

Sara Cannizzaro

Sign Systems Studies · 2016 · 127 citations · 12 references

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TL;DR

Memetics treats memes as copying units, but Peircean semiotics and biosemiotics challenge this view, suggesting that internet memes are habit‑inducing sign systems with asymmetrical variation. The article seeks to establish a clearer, semiotic framework for defining internet memes and applying it to new media texts. It draws on biosemiotics, Tartu‑Moscow semiotics, and Peircean principles, using a close reading of Rebecca Black’s 2011 meme “Friday” to outline the definition. The study confirms that a semiotic framework refines and reconfigures existing meme theory into a more precise, discursive conception.

Abstract

This article argues for a clearer framework of internet-based “memes”. The science of memes, dubbed ‘memetics’, presumes that memes remain “copying units” following the popularisation of the concept in Richard Dawkins’ celebrated work, The Selfish Gene (1976). Yet Peircean semiotics and biosemiotics can challenge this doctrine of information transmission. While supporting a precise and discursive framework for internet memes, semiotic readings reconfigure contemporary formulations to the – now-established – conception of memes. Internet memes can and should be conceived, then, as habit-inducing sign systems incorporating processes involving asymmetrical variation. So, drawing on biosemiotics, Tartu-Moscow semiotics, and Peircean semiotic principles, and through a close reading of the celebrated 2011 Internet meme Rebecca Black’s Friday, this article proposes a working outline for the definition of internet memes and its applicability for the semiotic analysis of texts in new media communication.

References

12