2005 · 41 citations · 13 references
HumanitiesMusicologyMusic AnalysisMusic PsychologyMusic TheoryComputational MusicologyMelody PerceptionMusical FormMusical GenresComposer ClassificationMelodic IdentificationMelodic Pattern RecognitionMelody ExtractionMusic ClassificationResearch With Human SubjectsStyle RecognitionTheme Recognition
The authors use hidden Markov models (HMMs) for abstracting the style of a composer and for recognizing it from an unknown excerpt. We employed a data set of 605 musical themes written by five well-known composers (Mozart, Beethoven, Dvorak, Stravinsky, Beatles). A preliminary investigation based on descriptive statistics served the purpose of choosing a group of suitable music representations. Then, for each representation and for each composer a HMM was trained with the subset of melodic lines extracted from the pieces. An unknown melody is then classified as belonging to a composer if the corresponding HMM gives the highest probability for that sequence. Experiments with Markov chains and tests on human subjects were used as a term of comparison. The best results achieved with HMMs was 42% successful classifications on average, obtained with an alphabet of intervals between -10 and +10 semitones and with HMMs of order 18. In the case of human classification based only on stylistic assumption, we measured 24.6% for music amateurs and 48% for music experts. In conclusion, HMMs performed nearly as well as a music expert in the classification of melodies by composer, nevertheless, memory models have been proven to play a fundamental role in the process of music classification and need to be taken into consideration for practical applications.
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Engineering, Bioinformatics, Biology +14
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