Kant with Sade

Abstract

That the work of Sade anticipates Freud, be it in respect of the catalogue of perversions, is a stupid thing to say, which gets repeated endlessly among literary types; the fault, as always, belongs to the specialists. Against this we hold that the Sadian bedroom is equal to those places from which the schools of ancient philosophy took their name: Academy, Lyceum, Stoa. Here as there, the way for science is prepared by rectifying the position of ethics. In this, yes, a ground-clearing occurs which will have to make its way through the depths of taste for a hundred years for Freud's path to be passable. Count sixty more for someone to say the reason for all of that. If Freud was able to enunciate his pleasure principle without even having to worry about marking what distinguishes it from its function in traditional ethics, even without risking that it should be heard as an echo of the uncontested prejudice of two millenia, to recall the attraction which preordains the creature to its good, along with the psychology inscribed in various myths of goodwill, we can only credit this to the insinuating rise across the nineteenth century of the theme of happiness in evil. Here Sade is the inaugural step of a subversion, of which, however amusing it might seem with respect to the coldness of the man, Kant is the turning point, and never noted, to our knowledge, as such. Philosophy in the Bedroom comes eight years after the Critique of Practical Reason. If, after having seen that the one accords with the other, we show that it completes it, we will say that it gives the truth of the Critique. For this reason, the postulates in which the latter culminates: the alibi of