Theory of Character: Emma

Joel Weinsheimer

Poetics Today · 1979 · 56 citations · 1 references

Concepts

Abstract

Woodhouse, handsome, clever, and rich. [...] Already I am caught. How is it possible to refuse the illusion that Emma Woodhouse was a woman whom I can discuss with as much unself-consciousness as the woman next door? At the very moment I refer to her (her: third person, feminine), I have already tacitly removed her from the novel, credited her with an independent life, and assumed a mimetic theory of character.*

References

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