The art in fiction: From indirect communication to changes of the self.

Maja Djikic, Keith Oatley

Psychology of Aesthetics Creativity and the Arts · 2014 · 112 citations · 53 references

Concepts

Abstract

Abstraction and thevividness of details in fiction . Paper presented at the 111th annualconvention of the American Psychological Association, Toronto, Can-ada.Mar, R. A., Oatley, K., Hirsh, J., dela Paz, J., & Peterson, J. B. (2006).Bookworms versus nerds: Exposure to fiction versus non-fiction, diver-gent associations with social ability, and the simulation of fictionalsocial worlds. Journal of Research in Personality, 40, 694–712. doi:10.1016/j.jrp.2005.08.002Mar, R. A., Oatley, K., & Peterson, J. B. (2009). Exploring the linkbetween reading fiction and empathy: Ruling out individual differencesand examining outcomes. Communications: The European Journal ofCommunication, 34, 407–428.Mar, R. A., Tackett, J. L., & Moore, C. (2010). Exposure to media andtheory-of-mind development in preschoolers. Cognitive Development,25, 69–78. doi:10.1016/j.cogdev.2009.11.002McCrae, R. R., & Costa, P. T., Jr. (1990). Personality in adulthood . NewYork, NY: Guilford Press.McCrae, R. R., & Costa, P. T., Jr. (1996). Toward a new generation ofpersonality theories: Theoretical context for the five-factor model. InJ. S. Wiggins (Ed.),

References

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