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Poetry in the ‘Circle’ of Messalla
70
Citations
4
References
1973
Year
Literary TheorySocial CriticismPoetry WritingPhilosophy Of HistoryHistorical ScholarshipParallelism (Rhetoric)Art CriticismLiterary CriticismComparative LiteratureLiterary PatronageLanguage StudiesAugustan AgeClassicsEarly StageLiterary StudyFrench LiteratureArabic PoetryPoeticsLiterary HistoryRomance StudiesArts‘ Circle ’
Our views on literary patronage in the Augustan Age may be dominated to such an extent by the personality of Maecenas that other, contemporary, patrons are forgotten or, worse still, seen as pale reflections of the ‘ideal’ patron, Maecenas, and so best disregarded. Professor Ronald Syme, for example, in his notable chapter on Augustus' ‘Organization of Opinion’, writes that ‘Augustus’ chief of cabinet, Maecenas, captured the most promising of the poets at an early stage and nursed them into the Principate. Augustus himself listened to recitations with patience and even with benevolence. He insisted, however, that his praises should be sung only in serious efforts and by the best poets. The Princeps succeeded: other patrons of literature were left far behind.’ This article looks briefly at the work of those poets who were closely associated with one of these ‘other patrons’, M. Valerius Messalla Corvinus, and attempts to show that his patronage, and the poets' attitudes towards it, were essentially Republican in nature—a factor which should be kept in mind in making any comparison between Messalla's poets and those more directly concerned with the Princeps.
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