Nudes, Swords, and the Germanic Imagination: Renditions of Germanic Sword Dance Narratives in Early Twentieth-Century Dance

Hanna Walsdorf

Dance Research Journal · 2015 · 21 citations · 2 references

Concepts

TL;DR

German sword dance history has been shaped by rediscoveries and nationalist revival, with claims of its ancient continuity dating back to a 98 C.E. Tacitus quote and late nineteenth‑century efforts to re‑energize it as an ethnic German tradition. The article seeks to delineate the competing discourses surrounding German sword dance.

Abstract

The written history of German sword dance has seen a number of quaint twists. With the rediscovery in 1455 of a short Tacitus quote (98 C.E.) presumably proving the existence of the sword dance in ancient Germanic times, claims were soon made that it had persisted for millennia. From the late nineteenth century onward, nationalists and body culture theorists, each in their way, favored the idea of revitalizing an ethnic German dance form. This article aims to delineate the respective discourses, and illustrates these by portraying the choreographic renditions of an imagined German sword dance tradition by Olga Desmond and Harald Kreutzberg.

References

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