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What should we expect from research through design?
981
Citations
24
References
2012
Year
Unknown Venue
Architectural DesignIndustrial DesignDesign InnovationIntegrated DesignDesign MethodologyDesignDesign Research CommunityDesign ThinkingDesign ScienceRich ArtefactsResearch DesignProfessional PracticeSocial SciencesView TheoryDesign Management
The essay has three parts. The essay explores facets of research through design to guide its development, arguing that diversity is natural and that theory should annotate realized design examples. The essay reviews two influential philosophy‑of‑science theories, examines three interpretations of research‑through‑design diversity, and proposes viewing theory as annotation of realized design examples. The author concludes that the community should resist convergence and standardisation, celebrating its capacity for exploration, diversification, and producing conceptually rich artefacts.
In this essay, I explore several facets of research through design in order to contribute to discussions about how the approach should develop. The essay has three parts. In the first, I review two influential theories from the Philosophy of Science to help reflect on the nature of design theory, concluding that research through design is likely to produce theories that are provisional, contingent, and aspirational. In the second part, I discuss three possible interpretations for the diversity of approaches to research through design, and suggest that this variation need not be seen as a sign of inadequate standards or a lack of cumulative progress in the field, but may be natural for a generative endeavour. In the final section, I suggest that, rather than aiming to develop increasingly comprehensive theories of design, practice based research might better view theory as annotation of realised design examples, and particularly portfolios of related pieces. Overall, I suggest that the design research community should be wary of impulses towards convergence and standardisation, and instead take pride in its aptitude for exploring and speculating, particularising and diversifying, and - especially - its ability to manifest the results in the form of new, conceptually rich artefacts.
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