IEEE Transactions on Speech and Audio Processing · 1999 · 40 citations · 24 references
Natural SciencesAudiologyAcousticsComputational AcousticsPsychoacousticsAcoustic Signal ProcessingCoding TheoryData CompressionDigital Signal ProcessingSignal ProcessingSource CodingAudio Codec DesignBit AllocationCompressionPerceptual CodingSimulated AnnealingSimulated Annealing OptimizationVector QuantizationWavelet Packet Transform
We study the application of wavelet packet filterbanks to low bit-rate transparent audio coding, taking the audio coders' delay requirements into account, and propose low-delay coders based on wavelet packet filterbanks. We first develop a method of comparison between filterbanks for perceptual audio coding by estimating the necessary bit-rate for a transparent compression. We use this comparison method in order to select the best filters for our audio compression scheme, from a large set of orthogonal and biorthogonal wavelets. Different wavelet filters may be used at different stages of the tree-structured decomposition with a constraint on the overall delay taken into account. The optimization is carried out with a simulated annealing procedure, proposing two wavelet packet filterbanks, exhibiting average and low delays. They are inserted in a complete audio coder that employs vector quantization and considers psychoacoustic models. The use of the proposed filterbanks leads to the design of a new bit allocation procedure, taking into account the lack of selectivity of the equivalent synthesis filters in a wavelet packet filterbank. The resulting audio scheme is validated through listening tests. The wavelet packet filterbanks are shown to be a promising tool for audio coding, especially for low-delay coding: with average delay, the quality of the wavelet packet filterbanks is as good as with MPEG-1 Layer-2, both with 80 kb/s, and when reducing the delay to 200 samples, 96 kb/s are needed to achieve the same quality.
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