Psychology of Music · 2003 · 11 citations · 5 references
HumanitiesClassicsMusicologyAcousticsHistorical MusicologyPsychoacousticsHarmonic AnalysisHarmonic FunctionMusic AcousticsTonal AnalysisTonal TheoryHarmonic StructureHarmonic UnderstandingMusical Theory
Harmonics was the theoretical arithmetic underpinning the tuning of musical instruments in ancient times. It was a numerical science based on ratios of string-length. The ancients believed that the planets circled the heavens in similar mathematical proportions, and that, by analogy, these also corresponded to powers in the human psyche. Harmonics survived as such until the 17th century. Only recently, however, have musicologists made a breakthrough to a more comprehensive understanding of its coherence and cultural significance. This article offers a short re-valuation of harmonics. It seeks to stimulate debate about the relevance of the relationships between number and tone to contemporary thought, and whether an understanding of harmonics has anything to contribute to future interdisciplinary research into the evolution of music and the human mind.
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Ian Cross · Psychology of Music · 2001 · 91 citations
Music and Meaning: An Evolutionary Story
Elizabeth Tolbert · Psychology of Music · 2001 · 67 citations
The Harmony of the Spheres: A Sourcebook of the Pythagorean Tradition in Music
Jon K. Barlow, Joscelyn Godwin, Mark Lindley et al. · Notes · 1994 · 60 citations
Plato's Mathematical Imagination.
John Morrison, Robert S. Brumbaugh · Philosophy and Phenomenological Research · 1955 · 26 citations
Francis D. Wormuth, Ernest G. McClain · The Western Political Quarterly · 1980 · 19 citations