The Journal of the Abraham Lincoln Association · 1993 · 89 citations · 10 references
Open access
HumanitiesMusicologyAcousticsComputational AcousticsReal-time SystemsAcoustic ModelingAcoustic Signal ProcessingInstrument AcousticsMusic AcousticsSound SynthesisString InstrumentsExcitationImpulse ResponseInstrument ModelingNonlinear String BehaviorPhysical ModelsReal-time Sound SynthesisReal-time SynthesisString Instrument Acoustics
The sound quality of real-time synthesis based on physical models has so far been inferior to sampling techniques. In this paper we introduce new principles to make model-based sound synthesis of the guitar and other plucked string instruments more attractive from the viewpoint of sound quality. A major improvement is achieved by estimating the model parameters and the excitation signal from the sound of an acoustic instrument. It is shown that the impulse response of the body is included in this excitation. More complex string behavior, including nonlinearities in some instruments, is briefly studied. Furthermore, different aspects of controlling the real-time synthesis model are discussed. High-quality real-time synthesis is shown to be feasible by using a single digital signal processor.
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