Critical Studies in Media Communication · 2002 · 410 citations · 27 references
Social SciencesCommunicationPolitical ScienceMedia StudiesPolitical RhetoricSocial MovementsActivismMedia DiscourseMedia PowerNew MediaProtest PoliticsPublic DiscourseActivist SpectacleConversationsDigital Public SpherePolitical Media DiscoursePublic Sphere EngagementTelevised Political Communication
The WTO protests in Seattle revealed a global citizens’ movement for democratic globalization and highlighted how television, internet, and other technologies enabled wired activism, exposing the limitations of the traditional public sphere and prompting a shift toward a public screen that foregrounds dissemination, images, hypermediacy, publicity, distraction, and dissent. This essay introduces the concept of a public screen as a necessary supplement to the public sphere to better understand contemporary political discourse. The authors use the Seattle WTO protests as a case study, focusing on violence and media dynamics, to argue that the public screen captures technological and cultural changes and maps new conditions for rhetoric, politics, and activism. The study concludes that the public screen effectively captures technological and cultural shifts and provides a framework for charting new conditions of rhetoric, politics, and activism.
The WTO protests in Seattle witnessed the emergence of an international citizens' movement for democratic globalization. With the tactical exploitation of television, the internet, and other technologies, Seattle also witnessed the enactment of forms of activism adapted to a wired society. In the wake of Seattle, this essay introduces the "public screen" as a necessary supplement to the metaphor of the public sphere for understanding today's political scene. While a public sphere orientation inevitably finds contemporary discourse wanting, viewing such discourse through the prism of the public screen provokes a consideration of new forms of participatory democracy. In comparison to the public sphere's privileging of rationality, embodied conversations, consensus, and civility, the public screen highlights dissemination, images, hypermediacy, publicity, distraction, and dissent. Using the Seattle WTO protests as a case study and focusing on the dynamic of violence and the media, we argue that the public screen accounts for technological and cultural changes while enabling a charting of the new conditions for rhetoric, politics, and activism.
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Habermas and the public sphere
Choice Reviews Online · 1992 · 1.8K citations
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