Harvard Theological Review · 1975 · 40 citations · 6 references
HumanitiesClassicsPhilosophyFeminist TheoryLiterary CriticismWomen's HistoryBiblical ExegesisFeminist CriticismFeminist Literary CriticismFeminist PhilosophyFeminist TheologyGender CriticismClassical Gender ReceptionClassical TraditionFeminist Biblical CriticismMetaphorReception Of Tertullian
Though often remembered for something he never said, Tertullian did contribute a few bold lines to his own caricature. Take for instance the famous, “ Quid ergo Athenis et Hierosolymis ?” It has come to symbolize Tertullian's wholesale rejection of philosophy. In fact, his indebtedness to the matter and methods of his classical heritage is profound. Today, by the same token, his ability to coin a striking phrase is earning for Tertullian yet another reputation he does not deserve. In the first book of De cultu feminarum , a withering attack on female fashions, Tertullian invokes the curse of Eve by means of a cruel and impressive metaphor: “ Tu es diaboli ianua ,” he writes; “You are the devil's gateway.” At once provocative of timely indignation and attractive as a foil, this single utterance is alone responsible for perhaps as much popular notoriety as Tertullian has ever been afforded. The following is offered in the hope that a more extensive examination of his attitude toward women may serve both to correct such misconceptions as have been drawn from the famous “gateway passage,” and also to clarify some of the ambiguities inherent in the Frauenfragen for early Christians.
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Judith Long Laws, Mary Daly, George H. Tavard · Sociological Analysis · 1975 · 216 citations
Christianity and Classical Culture
George Boas, Charles Norris Cochrane · The Classical Weekly · 1941 · 174 citations
The Troublesome Helpmate: A History of Misogyny in Literature
Reid B. Sinclair, Katharine M. Rogers · Books Abroad · 1967 · 145 citations
Humanities, History, Literature +5