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‘Potted Plants in Greenhouses’: A Critical Reflection on the Resilience of Colonial Education in Africa
332
Citations
66
References
2012
Year
African LiteratureColonialismColonial EducationDecolonialityAfrican Political ThoughtEducationAfrican DiasporaAfrican Education SystemsGlobal StudiesCultural StudiesSocial SciencesGreenhouses ’African HistorySettler ColonialismAfrican American StudiesLanguage StudiesIntellectual HistoryAfrican CreativityAfrican DevelopmentTraditional Ecological KnowledgePost-colonial CriticismPopular SystemsCritical ReflectionCritical TheoryOther Critical VoicesAfrican StudiesHumanitiesAfrican HumanitiesAfrocentricityAnthropologyAfrican City
Education in Africa remains entrenched in a colonial epistemology that frames science as ideology, with elites justifying its persistence as a means to international competitiveness and compelling Africans to “lighten their darkness” for the benefit of hegemonic interests. The paper urges greater attention to popular knowledge systems and listening to ordinary Africans who challenge the prescriptive gaze of the elite. The result is a devaluation of African creativity, agency, and value systems, fostering an internalized sense of inadequacy.
This paper draws on Okot p’Bitek’s Song of Lawino and other critical voices to argue that education in Africa is victim of a resilient colonial and colonizing epistemology, which takes the form of science as ideology and hegemony. Postcolonial African elite justify the resilience of this epistemology and the education it inspires with rhetoric on the need to be competitive internationally. The outcome is often a devaluation of African creativity, agency and value systems, and an internalized sense of inadequacy. Education has become a compulsion for Africans to ‘lighten their darkness’ both physically and metaphorically in the interest of and for the gratification of colonizing and hegemonic others. The paper calls for paying more attention to popular systems of knowledge, in which reality is larger than logic. It calls for listening to ordinary men and women who, like p’Bitek’s Lawino, are challenging the prescriptive gaze and grip of emasculated elite.
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