The Journal of Hellenic Studies · 1973 · 28 citations · 0 references
HumanitiesClassicsLiteratureDramaGreek HistoryGreek LiteratureAncient Greek PapyrologyGreek DramaGreek PapyrologyPapyrus ManuscriptsReligion In Greek DramaSoliloquy Structure
These notes are offered to E. R. Dodds in gratitude for much kindness and for much instruction on Greek drama and religion. I. Heros The main lines of the story are clear from the summary, the list of characters, the two papyrus passages and the fragments. But the second papyrus passage can, I think, be made a little clearer and something can be said about the Heros. For understanding these the beginning and the end of the summary are useful: ‘An unmarried girl (Myrrhine) bore twins (Plangon and Gorgias) and gave them to a guardian (Tibeios) to bring up. Then later she married her raper (Laches)…. When things became clear, the Old man (Laches) discovered his children (Plangon and Gorgias), and the violator (Pheidias) took the girl (Plangon) willingly.’ The second of the two papyrus pages begins with the last two lines of an Act; then the new Act (the fourth because it has the main recognition scene) starts with a short agitated soliloquy of Laches (55–63). He has returned home and found that the girl Plangon whom he had promised to his slave Daos has borne a child to an unknown father (I assume that Daos' claim has been rejected): this, I think, is what he comments on in his fragmentary soliloquy. Then Myrrhine comes out.