Women on the Verge: Japanese Women, Western Dreams

Amy Borovoy

American Ethnologist · 2002 · 42 citations · 0 references

Concepts

TL;DR

Many young Japanese women have become internationalists, seeking study, work, or romance abroad to escape Japan’s oppressive corporate and family structures, a trend situated within profound social change and a complex network of global forces. The book investigates the promises, limitations, and contradictions of Japanese women’s occidental longings, exposing the racial and erotic politics of transnational mobility while bridging anthropology and cultural studies. The study draws on autobiographical narratives and literary and cultural texts to situate the phenomenon within Japan’s social change and a global network of forces. Kelsky finds that Japanese women’s female cosmopolitanism repositions them as agents of desire for the modern West, defying nationalism and traditional power dynamics, while the pervasive longing for the foreign permeates many lives and the allegiance to white men imposes new hegemonies of race, sexuality, and capital.

Abstract

Over the past few decades, many young Japanese women have emerged as Japan’s most enthusiastic “internationalists,” investing in study or work abroad, or in romance with Western men as opportunities to circumvent what they consider their country’s oppressive corporate and family structures. Drawing on a rich supply of autobiographical narratives, as well as literary and cultural texts, Karen Kelsky situates this phenomenon against a backdrop of profound social change in Japan andwithin an intricate network of larger global forces. In exploring the promises, limitations, and contradictions of these “occidental longings,” Women on the Verge exposes the racial and erotic politics of transnational mobility. Kelsky shows how female cosmopolitanism recontextualizes the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the “modern” West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West. While transnational movement is not available to all Japanese women, Kelsky shows that the desire for the foreign permeates many Japanese women’s lives. She also reveals how this feminine allegiance to the West—and particularly to white men—can impose its own unanticipated hegemonies of race, sexuality, and capital. Combining ethnography and literary analysis, and bridging anthropology and cultural studies, Women on the Verge will also appeal to students and scholars of Japan studies, feminism, and global culture.