Ballet across borders: career and culture in the world of dancers

TLDR

Ballet is portrayed as a closed, competitive world where backstage realities of nerves, fatigue, and injury contrast sharply with the audience’s perception of ethereal, magical performances. The book aims to illuminate the lived experiences of dancers, revealing the hidden backstage reality rather than focusing solely on performance. The authors achieve this through extensive fieldwork with major companies such as the Royal Ballet, American Ballet Theatre, Royal Swedish Ballet, and Ballett Frankfurt.

Abstract

This absorbing book is ballet’s ‘biography’ – a revealing examination of a closed world, its competition and camaraderie, sexual politics, intimacies, pressures and, not least of all, its magic. Ballet companies have endeavoured to hide what is going on backstage lest the reality of highly strung nerves, constant fatigue and pain from injuries tarnish the illusion of ethereal figures and seemingly weightless steps in polished performances. But the audience’s perceptions of fairy-tale worlds onstage are far removed from the experiences of the dancers themselves. The author, who trained to be a dancer, has been given an entrée to this private world that few outsiders ever see. Books on ballet tend to focus on performance. In contrast, this book, which draws on extensive fieldwork with major companies such as London’s Royal Ballet, the American Ballet Theatre in New York, the Royal Swedish Ballet and the Ballett Frankfurt, is about dancers –