Leaving It Up to the Imagination: POV Shots and Imagining from the Inside

Abstract

[Strolling in a desolate amusement park on a winter developed in her book Reading with Feeling, evening] that our aesthetic appreciation of fiction Brand: I always liked the place [the amusement park] contains a temporal dimension, which is in fact at this time of year. constrained by the trajectory of the narration Lisa: Perhaps you prefer to imagine what it will be in process.5 Similarly, for Smith, POV shotsthe spring. Because if it is already spring, there is although he carefully avoids linking POV shots nothing to imagine. directly to character identification-are one of