The Athenian Treasury at Delphi and the Material of Politics

Richard Neer

Classical Antiquity · 2004 · 89 citations · 27 references

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TL;DR

The Athenian Treasury at Delphi serves as a civic frame that nationalizes wealthy votive dedications, acting as a material trace of Athenian political identity in the 480s. The study traces this function by analyzing the treasury’s iconography, Parian marble, its association with the Alkmeonid temple of Apollo, and the reactions it provoked in Delphi and Athens, while addressing the challenge of interpreting non‑iconic architectural features. It concludes with a new reading of Pindar’s sixth Pythian ode for Megakles of Athens, which encapsulates the political stakes of the building project.

Abstract

AbstractThis study makes a pair with the author's “Framing the Gift: The Politics of the Siphnian Treasury at Delphi,” Classical Antiquity 20 (2001): 273–336. Like that essay, it argues that the function of a treasury is to provide a civic frame for ostentatious dedications by wealthy citizens: in effect, to “nationalize” votives. In this sense, the Athenian Treasury is a material trace, or fossil, of city politics in the 480s. The article tracks this function through the monument's iconography; its use of marble from the medizing island of Paros; its relation to the “Alkmeonid” temple of Apollo; and the responses it evoked at Delphi and in Athens. Special attention is given to the methodological problem of finding meaning in non-iconic or non-representational features, such as building materials. The article concludes with a new reading of Pindar's sixth Pythian, for Megakles of Athens, which neatly encapsulates what was at stake in this building project.

References

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