Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century

Abstract

N.B. Prof Dreyfus is now based at the Faculty of Music, University of Oxford. The full-text of this article is not currently available in ORA, but you may be able to access the article via the publisher copy link on this record page. Citation: Dreyfus, L. (1983). 'Early music defended against its devotees: a theory of historical performance in the twentieth century', The Musical Quarterly, 69(3), 297-322. [Available at http://mq.oxfordjournals.org/].