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Inside<i>Oz</i>: Hyperviolence, Race and Class Nightmares, and the Engrossing Spectacle of Terror

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2009

Year

Abstract

In this essay I analyze the HBO prison drama Oz as a cultural artifact of the current era of rampant incarceration. I argue that Oz's hyperviolent spectacle legitimizes both the expansion of the prison–industrial complex and the continuing prevalence of inhumane prison environments. I also contend that Oz's framing of race and class within a violent spectacle functions as a justification of discriminatory criminal justice practices.